Product Description What Artemisia Heard: Music and Art from the Time of Caravaggio and Gentileschi is the profoundly engaging culmination of a unique project envisioned by El Mundo artistic director Richard Savino. Enraptured over the work of female Baroque painter Artemisia Gentileschi, Savino, a baroque guitarist and lutenist, began to question why the music of Artemisia's time is not as widely appreciated as the visual arts of the era. Recognizing a ubiquitous connection in popular music between the aural and visual (through vehicles such as music videos), Savino had the ingenious idea to integrate the sublime painting of Artemisia and her contemporaries directly with the equally sublime music these painters would have heard at the time. Featured alongside paintings by Artemisia and her contemporaries is music by composers Uccellini, Kapsberger, Ferrari, Frescobaldi, Mazzocchi, Gagliano, Caccini, Piccinini, Castello, Monteverdi, Corbetta, Falconieri, Rossi, Giramo, and Lanier, as performed stunningly by El Mundo and distinguished soloists. El Mundo is a chamber group dedicated to the performance of sixteenth through nineteenth century Latin American, Spanish and Italian chamber music. Under the direction of guitarist/lutenist Richard Savino, El Mundo was formed in 1999 and is made up of some of today's finest period instrument performers. As an ensemble, El Mundo has recorded 8 cds on the Koch, Dorian and Sono Luminus labels. These include the premiere of Sebastian Duron's 17th century zarzuela Salir el Amor del Mundo, and The Kingdoms of Castille, which received a 2012 GRAMMY® nomination in the Best Small Ensemble category. El Mundo consists of Jennifer Ellis Kampani, Nell Snaidas, and Céline Ricci (sopranos), Paul Shipper (bass, baroque guitar, and percussion), Adam LaMotte and Lisa Grodin (Violins), William Skeen (cello and viola da gamba), Farley Pearce (Violone), Richard Savino and Adam Cockerham (baroque guitar and theorbo), Paul Psarras (baroque guitar), John Schneiderman (lute and baroque guitar), Cheryl Ann Fulton (baroque harp), and Corey Jamason (harpsichord and organ). Review "This assemblage of music cleverly includes unfamiliar names such as Gagliano, Mazzocchi, Corbetta, Falconieri and Giramo among the more familiar Monteverdi, Caccini, Rossi and Lanier. The performances by the singers and instrumentalists of El Mundo are lively and heavily characterized...""...This is an enjoyable CD with a pleasing variety of music artfully performed, and from the paintings reproduced in the booklet Artemisia Gentileschi deserves more attention as a member of the small group of genuinely talented woman painters working in what was essentially a man's world." --D. James Ross, EarlyMusicReview.com, November 1, 2015
A**M
Excellent pieces of music and art
This CD has great art in the disc jacket with a variety of composers generally not found in this type of Baroque music-art combo package. The CD is very well produced, and it includes translations of lyrics and notes about Artemisia Gentileschi, the inspiration for this production.Any casual or in-depth scholar of the late 16th to mid 17th century would enjoy having this in his or her collection.
A**R
This anthology of early Baroque Italian Composers in Roma, ...
This anthology of early Baroque Italian Composers in Roma, Firenze, Napoli, Venice and London are often a revelation. These musicians were the contemporary of Caravaggio, the sublime painter of early seventeen century. It was “le coup de foudre” for me.
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