Michael Mann’s stylish and compelling noir thriller, COLLATERAL celebrates 20 years with this limited edition 4K Ultra HD Steelbook. Tom Cruise gives a chilling performance as Vincent, a cool, calculating contract killer at the top of his game. Jamie Foxx received an Academy Award nomination for his portrayal of Max, a cabbie with big dreams and little to show for it. The film showcases the actors as Max transports Vincent on his next job – one night, five stops, five hits and a getaway. And after this fateful night, neither man will ever be the same.
S**G
GREAT MOVIE!!!!!
Tom Cruise blew me away as the villain!!!!!! I’ve watched it so many times. His close quarter combat shooting is on point in line with what they train us at the academy and at the range!!! Perfect!!!! Jaime Fox was great character too but, the female character was forgettable ….sorry Jada….
B**D
My FAVORITE film of the 2000s!
COLLATERAL, for my money, is one of the best films of the decade. Most modern films have a "sameness" about them. Regardless of genre, they all seem "the same". There tends to be too much focus on "wow-ing the moviegoer" with growing technology (CGI, special effects), gimmickry (tricky plots, flashbacks, surprise endings), and not enough focus on character development and dialogue. Another thing that I think a lot of today's movies lack is "realistic character interaction". Somehow, COLLATERAL overcomes all the cliches found in many modern films and rises to the level of poetry. Directed by the great filmmaker Michael Mann (THIEF, MANHUNTER, HEAT, THE INSIDER, and a personal shout-out to his groundbreaking 80s TV series MIAMI VICE), COLLATERAL is an absorbing, atmospheric, provocative tale of two men who meet at the literal crossroads of their lives.A mystery man named Vincent (played with 100% utter conviction and ease by the legendary Tom Cruise) arrives at LAX and "accidentally" bumps into another man, in which a briefcase exchange ensues. Vincent travels to downtown LA and gets in a cab driven by Max (Jamie Foxx in a performance that would earn him a Best Supporting Actor Oscar nomination). Vincent tasks Max to drive him around LA to complete his "errands". Max soon finds out (the hard way!) that Vincent is a contract killer. Vincent is going to kill 5 people that night and Max must drive him around or else!During this night, Vincent and Max learn valuable lessons about each other and themselves. In a series of stimulating conversations, some very truthful facts of life are laid out for the viewer to absorb and consider. One can see Vincent and Max literally transfer personality traits to each other as the night ensues, which leads to an inevitable conclusion. Every time I watch the film, I pick up on a detail or nuance about Vincent and Max I hadn't seen or noticed before and am amazed at how believable their interaction is and how meticulous a film that Michael Mann has constructed. This film ought to easily be considered one of the best of the decade.Within this fascinating film, Mann mixes in a great soundtrack, superbly staged and convincing action sequences, and beautiful cinematography of LA after dark. The excellent supporting cast includes Mark Ruffalo (as Det. Fanning hot on Vincent and Max's tail), Barry Shabaka Henley (as nightclub owner Daniel, who the men have an interesting encounter with), Irma P. Hall (as Max's mom, who almost steals the movie!), Javier Bardem (in a pitch perfect scene as the big bad guy Felix), and last but not least an incredibly vibrant and sexy Jada Pinkett Smith (as an early fare of Max's who ends up being a key to the story).I cannot stress or say enough of how impressed I was with Tom Cruise's amazing work in this film. It is as much a physical performance as it is a verbal one. And he handles both sides with aplomb. How he did not get nominated for an Oscar (Best Actor) is beyond belief! I would have settled for him getting a "nomination", but, I swear, everytime I watch this flawless film, I continue to believe that this is THE performance that Mr. Cruise should always be remembered for, leaving all his other great work in the dust! This may be the best performance of his career, and it is thankfully part of a truly great film.I own this 2-disc set dvd and it is perfect, the way every dvd of a big film should be with great quality on the film dvd and interesting, refreshing commentary on the 2nd one. A masterpiece as far as I'm concerned!
C**T
Michael Mann's mean streets...
After the commercial failure and mixed critical reaction to the vastly underrated Ali, Michael Mann returns to familiar territory-the urban crime thriller-with Collateral. Coming off three grandiose epics in a row, the veteran filmmaker shifts gears with this lean, no-nonsense movie that harkens back to early films in his career like, Thief. Like the late Stanley Kubrick (of whom Mann is sometimes compared to), Mann has tried repeatedly to breakthrough to a mainstream audience. It would make sense then that he would cast Hollywood megastar Tom Cruise as one of the main protagonists. If there were any actor on the planet that could guarantee a sure-fire hit at the box office it would be Cruise. However, Mann throws a potential spanner in the works by casting the actor as an amoral hit man. Would this scare off a mainstream audience?The first disc features an informative audio commentary track by director Michael Mann. The veteran filmmaker really did his homework as he talks about the realistic details used in the background of scenes and with various characters. He also talks at length about the characters' backstories and motivations.The second disc starts off with "City of Night: The Making of Collateral," a 41-minute look at how this film came together and was made. There is also footage of Tom Cruise training with a weapons expert so that he could credibly portray a professional assassin on screen. This is a step up above the usual electronic press kit material."Special Delivery" takes a look at some of the research Cruise did for this role. In order to get into character, Mann disguised the actor as FedEx delivery man and had him deliver a package to a business in a crowded place and not get recognized. Included is actual footage of Cruise in action.There is one deleted scene with commentary by Mann. It shows Vincent and Max going into LAX to lose the police and federal surveillance that is tracking them."Shooting on Location: Annie's Office" examines the use of high-definition digital video used to capture Vincent stalking Annie in her darkened office at night. It is a scene that would have been impossible to render on traditional film."Tom Cruise and Jamie Foxx Rehearse" gives a glimpse into the creative process as we see footage of the two actors reading through a scene in Mann's office, juxtaposed with the final scene in the movie."Visual FX: MTA Train" shows how Mann used a green screen effect on the climatic sequence on the train so that he could customize the backgrounds to suit his vision.Finally, there are cast and crew biographies and extensive production notes.Collateral is a fitting addition to Michael Mann's distinctive filmography. It continues his thematic pre-occupations of isolated protagonists who have little time for personal relationships. It is also deals with another Mann obsession: transformation. In order to have any chance of surviving the night with Vincent, Max must change from being a passive character to one that takes an active role in determining his own fate. It is the exploration of such weighty themes, coupled with Mann's distinctive style that elevates Collateral from its generic conventions.
J**D
Worth owning
Strong performances by Cruise and Jamie Foxx power this one. Mann’s tight direction, and ability to turn the city into a character as well, is always appreciated. Worth owning for your collection.
Y**T
Great action movie
Great action movie. Some of the best pistol action I've seen, right up there with Heat and Open Range.
C**Z
Grest seller and amazong product
The packaging and conditions of the products were good. Highly recommended dealer. Thanks
T**E
Tom Cruise as a mean man
Tom Cruise as a hit man was very surprising. Jamie Foxx did well in his part
W**7
Best quick-draw execution on film anywhere
Nobody records gunfights like they really are except Michael Mann - he's been doing it a while. This movie has the greatest scene ever for shooting an armed opponent anywhere on film. The scene is called "Yo homie! Is that my briefcase?" You'll watch it a hundred times, because this is how it's done in the real world.
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