The Art of Manipulating Fabric Paperback – October 1, 1996

Encyclopedic. This book is nothing more nor less than a categorized set of instructions for three-dimensional fabric manipulations. It's pretty exhaustive as a relates to endless variations of gathering, pleating, etc. These are not the only ways to manipulate fabric into shapes, of course. There are plenty of pattern, cut, and sew techniques that produce dimensional effects also. And, in fact, a few of the techniques in this book can be combined in that way, too.As many, many others have pointed out, the photos are black-and-white, the fabric used for demonstration is muslin, and the instructions are high-level. I.e., you better have some background sewing experience and a solid grounding at least at the intermediate level to really take advantage of this book. If you do have that, you are really going to enjoy this book! It truly is one of the better sewing technique books I have encountered in many years. On the flipside, if you do not have the background, if you need detailed step-by-step instructions along with a matching pictures, or don't have a good grasp of sewing terminology, this is absolutely not the book for you!Both my wife and I read this book cover to cover, which is pretty amazing for a technique book of any kind. And it will be used for projects immediately. (Please note this is not a project book!)As with any technique book with such scope, there is more breadth than depth in some areas. Entire books can and have been written on many of the individual techniques or categories of techniques described here. So if you are really advanced quilter, you will find the quilting section thin. If you are a smocker, the smocking section will appear thin. And so on. Much of the value is in opening your eyes to possibilities – and with enough information to execute on them.This one is a lot of fun for its target audience. Those who are not in that category will find it something of a frustrating head scratcher.

This really is a book about how to perform miracles with fabric! I disagree with Gingercook that this is not a book for novices or beginning seamstresses. I am just learning to use my Viking Topaz 30, taking lessons at the best sewing shop in Las Vegas, but I LOVE this book and, as others have said, cannot put it down! I have found ANSWERS to every question you could possibly have concerning getting fabric to do what you want it to do. I want to make a ruffle skirt for my 4 year old grand-daughter, but I want to make one with ruffles that stand out and "float" - not just hang there. Maybe other people know about Circular Flounce and cutting the ruffle pieces (as it shows on page 67) from a CIRCLE OF FABRIC - the strip closest to the center of the circle has tremendous flare, the next strip not so much and the third strip (which is cut farthest from the center of the circle has very little flare. The diagrams in this book are the best I have ever seen and they are on every page, helping you to understand, totally, how to do each step. It explains GRAINLINE BALANCE ON PAGE 70, with diagrams. Sorry but I had never heard of grainline balance, but I will never forget it now! I had never heard of a GODET, now I can't wait to try to make one and the SQUARE GODET shown on page 84 is one of the most beautiful things I have seen. Just take a large hankerchief (or large square of fabric) hold it by one of the 4 corners and let the fabric drape by itself. The drawing on page 84 shows this with 4 folds ending in a handkerchief edge. I can't wait to try to make one. I am taking this book to my instructors so they can teach me how to make a godet (go-day).I have never seen so many different drapery pleats. I especially like the CARTRIDGE PLEAT. Colette not only shows you all the different pleats, but she also shows you how to change them and make them look completely different.This book is an INSPIRATION, but it is not a book about which fabric to choose to make the miracles happen. It is about being able to make these miracles happen with ALL KINDS OF FABRIC.I'm taking classes in Heirloom sewing and this book shows how to do many of the Heirloom techniques and shows it with diagrams, making it easy to understand how to do all those intricate, gorgeous Shark's Teeth, Slashed Tucks, Keyhole Tucks, etc. The book also includes a chapter on Quilting and one on Stuffed Quilting & Applique, teaching you things that almost make you drool - because they are pieces of art and belong in a museum.I purchased this book on a whim while I was deciding whether or not to purchase the Colette Sewing Handbook by Sarai Mitnick and I ended up buying both of them.EVERY PERSON WHO SEWS OR WHO IS THINKING OF SEWING SHOULD OWN THIS BOOK. It is an inspirational book and a book of HOW TO PERFORM MIRACLES with fabric!

Firstly, it should be said that Wolff tackles fabric with an artist's approach, with a strong sculptural bent, with the intention of transforming a usually flat medium into something expressive, three-dimensional, voluminous, and with physical presence.Also let me express shock and awe at the sheer density of information in this book. Excluding the title and content pages, and the index located at the back of the book, I can vouch that LITERALLY every page of this magnificent publication is completely full of hand-drawn illustrations and black & white photographs, accompanied by detailed descriptions of the technique/method. I mean it--every single page has at least one if not five or six fantastically detailed images.This is not one of those trendy books with cutesy inset "pro tips," chapter headings with punny names, blank pages and full-page photos in between everything, and tons of semi-relevant and not-very-useful anecdata. This book immediately gets down to business, in the most pleasurable way. It's so solidly jam-packed with ideas and techniques that it blows my mind.This book is such a rare gem especially because it can function as a sourcebook for me as well as a how-to manual--the images are of textured abstract samples, not of chintzy finished-product curtains or pants, which allows me to imagine dozens of ways I could use that particular manipulation in my artwork. The samples are all in creamy blank white muslin, further giving that impression of malleability and elegance.That's the overall beauty and draw of this book, really--it's not a project guide book. It doesn't have weekly goals like "make a funky tote bag" or "sew some ruffled curtains!". The knowledge it bestows upon you is knowledge you can use broadly, anywhere, and causes you to think creatively.I LOVE this book!! Best thing I've bought in months, possibly years.